Thursday, 8 November 2012

Sample Downloading Issues

Just a quick update. I've noticed that some of the links samples on the site no longer work. They're currently hosted on Minus.com, this might be a bit of a glitch on their end but to be honest I don't really know.

I'm currently in the process of re-uploading the samples to FileFactory.com and will change the links in the effected posts. I'll put a post up here when all of the links have been updated but in the mean time, sit tight, they'll be available again soon.

If you have any feedback for the site please feel free to contact me at DanWeatherall@Voltage-Controlled.com

-Dan


Monday, 5 November 2012

AudioBus for iOS - Exchange audio between apps with ease


I’ve not featured any iOS audio apps on Voltage Controlled for a while but I think this one definitely deserves a mention. AudioBus is a really cool app that allows you to exchange live audio between different iOS apps that you have installed on your device. This is big news for all of you iOS musicians out there; you can finally record audio between apps!

Say for example; you want to record the output of your favourite synthesiser app into your favourite multitrack recording app. The only way to do this at the moment is with AudioCopy. AudioCopy is great for short loops and samples but what if you want to record an entire live performance in real time? With audio bus this will soon be possible.

AudioBus has currently been approved by Apple and should hopefully be in the AppStore soon. While you wait, why not check out this latest teaser video and see for yourself what AudioBus is capable of.



London Elektricity - Drum Processing Tutorial - Hospital Records

Here's a cool little tutorial from Drum n Bass legend London Elektricity showing you how he beefs up his drum breaks. Anyone that's producing Drum n Bass will benefit from an insight on how the pros work. I'm hoping to see some more future tutorials from London Elektricity and maybe even some of the other guys over at Hospital Records.




Sunday, 4 November 2012

Ableton announce Live 9 and Push



Ableton has always focused heavily on the live performance aspect of music and as a result there are already some really cool dedicated controllers out there; I’m talking about the Akai APC series and the Novation Launch Pad. Although these controllers are designed to work directly with the Ableton Live software, they don’t really take full advantage of everything that Ableton can do.

Along with the recent announcement of Live 9, Ableton revealed their latest venture into the hardware controller market. Push is a dedicated controller that integrates directly with the Ableton Live software. This hardware/software hybrid approach reminds me of the highly acclaimed Maschine controllers from Native instruments.

The only downside that I can see is that Push is huge; I can’t really see it sitting comfortably next to my laptop like my humble MaschineMikro does at the moment. However, even with its large size I would still like to get my hands on one and see what it’s capable of.





Sunday, 21 October 2012

Reason Tutorial: Your first ten minutes in Reason - Propellerhead

Here's one for all you newcomers to Reason. It's a pretty neat video from Propellerhead that shows you how to quickly get up and running with Reason.



Thursday, 11 October 2012

Advanced Polar Techniques - Propellerhead

I've brought a few Rack Extensions since the Reason 6.5 update, but one that didn't make it into my collection was Propellerhead's own Polar pitch shifter device. It's not that it isn't very good (because it is), it's more because I felt that I didn't really need a dedicated pitch shifter in my Reason rack. However, I did end up trying out the demo version of it when it first came out, and I can remember being pretty impressed with what it was capable of.

Anyway, Propellerhead has recently uploaded a new video (below) to their YouTube channel that shows off some of the more advanced and creative ways that polar can be used in your productions. It's got me wanting to try it out again but sadly my 30 day trial period ended quite a while ago. I might actually end up picking up a copy of this device in the future, but saying that there are still a few Rack Extension devices that I want to check out first.



Polar is available in the Propellerhead Rack Extension shop for € 55.00



Sunday, 7 October 2012

First Thoughts: Maschine Mikro


Ive had my eye on Native instruments Maschine controllers for a while now, and it's been quite some time since I've treated myself to a new piece of hardware gear. The only thing that was stopping me from getting my hands on the Maschine before now was the fairly hefty price tag. When Native Instruments announced the updated Maschine MK2 I saw that various online retailers were selling off the original Maschine and Maschine Mikro at an unbeatable price.

The Machine Mikro was the one that I ended up buying, at only £150 it was a no brainier. It would have been nice to get the bigger Maschine controller but I was on a budget so I went for the cheaper option. Even though I went for the older Maschine hardware controller, it included a free upgrade to the 1.8 version of the software. This gave me access to all of the brand new features including; time-stretching, new effects and a free copy of their awesome Massive synthesiser (which I will probably talk more about in a future post).

The main reason that I brought the Maschine Mikro was because I've been thinking of putting together a live set. I wanted a small (ish) midi controller that would be robust enough to carry around in a laptop bag as well as fitting in nicely with my home studio set-up. And that's exactly what I've got, the Maschine controller is a solid piece of kit that looks like it can take a fair amount of punishment. The pads are tough but extremely playable and it's small enough to sit nicely by the side of my computer in my studio.

I've had the Mikro for a few weeks now and I can safely say it lives up to all the hype. It's quickly become a vital part of my main studio set-up as well injecting a little more creative flair into my production workflow. Using pads to program drums and percussion parts just feels a hell of a lot better than using a standard midi keyboard.

The Maschine software has also opened a lot more doors for me. Since I mostly use Propellerhead's Reason as my main DAW I've been missing out on using VST instruments and effects in my productions. Now that Maschine has provided me with a suitable VST host I can once again take advantage of the vast amount of VST instruments and effects that are available.

Of course this new addition to the studio has greatly influenced how I go about creating music. Before I introduced Maschine into my set-up I would work almost completely within the boundaries of Reason, with the exception of creating a few sounds and loops using hardware gear and iPad instruments. Now I find my self starting out in Maschine, creating a few loops and getting the general feel of the track down before I even load up Reason.

The Maschine Mikro controller has definitely been one of the best purchases I've made in a long while. I've not really had the chance to test it out in a live situation yet, but once I've built up a performance worthy set I'll be sure to put it though it's paces. But as a studio tool the Maschine really holds its own and it has very quickly become one of the most important aspects of my creative workflow.